The year we outlawed exhaustion
We aim to create an arts and cultural field where sustainability means valuing life over anything that can be quantified by metrics. By 2036 we anticipate that instability will have increased, however, there is hope due to the integrated practices of adaptability and complex relationality.
All funding for arts and culture ceased to exist in 2025, not necessarily due to a crisis, but as a part of an exercise to reimagine artistic economies and ecosystems from the ground up. This cessation has forced us to evolve and build anew. Exhaustion no longer exists in the arts and cultural sector. Burnout is a thing of the past.
Today, money still exists, but it is no longer the primary measure of value. Money's role has evolved into something almost humorous—accumulating wealth has become a less respected social script. Alternative economies exist, such as gift economies. Today, though some may still need money for security, it doesn't dictate our lives. We don't fear hunger or homelessness; our basic needs are met regardless of work. Time, too, has become a negotiated reality defined by relationships and mutual agreements, not rigid schedules.
Technology continues to exist and mediate our lives. Rather than entrain us, in this future scenario, technology facilitates direct democracy. It is non-extractive, and supports sustainable practices.
A turtle, a cloud, a rhizome—integrated communities interconnected beneath a shared vision. This ecology of interlinked yet diverse communities represents our ultimate goal.
In this future, we foster a global arts and cultural field where life, connection, and sustainability are at the heart of our practices, nurturing an environment where creativity thrives beyond traditional constraints.
the groups at the 2024 Globus Hackathon.
"After 12 years, we planted the seeds of a utopia that might fully blossom in 100 years. These seeds represent pragmatic examples that already exist today, which we aim to nurture and grow."
All of the landscapes takes inspiration in the research project of the Globus 2023 cohort.
This landscapes takes inspiration from